Not Lost in Translation

Medtronic Neuromodulation produced the first patient marketing video produced entirely in Spanish, using Spanish speaking patients and physicians. Blue 60 Pictures spent 10 days in El Paso, Texas to produce four videos: two for Neurostimulation Therapy for pain and two for Intrathecal Drug Delivery Therapy for pain. We came back with stories of hope and struggles to find better pain relief.

Angela Bernal, our Medtronic client and native Spanish speaker, skillfully conducted each interview. We asked Angela if there were any differences in how Spanish and English speaking patients describe what it’s like to live with pain. She said, “In general, Latin patients speak on a more emotional level and bring up the family component faster and more often than English speakers.” Latin patients also are more concerned about, “how it [my pain] affects my family and how it has been a burden to them.”

Having produced many patient marketing and educational videos for Medtronic in English, we were struck by the emotion of each El Paso patient as they spoke about family. English-speaking patients are also concerned about how their pain affects family, but they are typically more at ease talking about less emotional things, such as how their pain impacts their work life.

While we didn’t share a common language with the El Paso families, we did share a common belief in the power of a good story, which was not lost in translation.

Armando


At first glance, Armando might look a bit rough around the edges, but he has a heart as big as Texas. Armando, who has lived with a neurostimulator for several years, spends his time repairing and restoring motorcycles and giving back to the city he loves. At Christmas time, he organizes a motorcycle parade in El Paso, where over 2,500 riders collect and raise money for Toys for Tots. Armando told us his neurostimulator has given him the energy to make a difference.

Ramiro


Since receiving his drug delivery pump, Ramiro spends much more time with his baby—a semi-restored El Camino. The car’s signature feature is a custom made bucket seat, which swivels around, making it easier for Ramiro to get in and out. And when he’s not working on his car, Ramiro likes to putter around the house, go for walks with his wife and take an occasional trip to the casino. Ramiro told us that after several failed pain therapies, the drug pump has helped him to enjoy his life again.

Dr. Viesca


Taking a slightly different approach than their English-speaking counterparts, bi-lingual physicians, Dr. Viesca and Dr. Villarreal spoke about the benefits of Medtronic’s pain therapies as a way to improve a patient’s family relationship.

Dr. Viesca often speaks about the strength of family and how family relationships are critical to improving the life of his patients. He stressed how Medtronic’s pain therapies can often improve the family dynamic by reducing the patient’s pain.

Medtronic Partners with Blue 60 Pictures


Medtronic’s Angela Bernal said, “Because they have the knowledge and background with our therapies, Blue 60 understood what we needed to communicate and what we needed to stay away from. They are very personable and understand the business side.”

“Blue 60 was very flexible and understood what we needed to get from the testimonials, and they were sensitive to the particularities of the Spanish patients, said Angela. ”

And when we shot life style footage with the patients, Angela said, “They understood what we can have the patients do in terms of regulatory and legal. I was very happy with Blue 60 Pictures.”

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Have you heard about Canopy?


“A two day shoot that should be four, multiple crew moves, multiple cameras, bikes with camera mounts and novice talent with speaking parts…how can you make it more challenging? Add a dog.”
- Eric Luoma, Creative Director at Fellow

We think Eric set the stage for this story really well. This is a story of meeting budget and production challenges and getting the results everyone wanted.

How did we do that?

First, we didn’t cut corners on the dog, we called Debbi Pool and got great help in casting and finding the dog. http://www.animaltalentpool.com/

Then before we took the project Greg Winter wanted us to answer yes to these 3 questions…

1 – Can we produce this piece at the quality level we want to work at?
2 – Can we, along with our creative partners have control of all aspects of the picture making and storytelling?
3 – Can we find solutions and compromises within the budget that allow us to deliver on the first two questions?

Let’s look a bit closer at question #1. The reality here is you need certain resources to get any job done and the answer to the question always comes from figuring out what you want to do first and then estimating the costs for the resources you will need.

We decided on a small crew, shooting with a Canon 5D and shooting HD with iPhones, which the creative approach required.

We decided on a 2 day shoot. It may have been possible to shoot in 1 day, but that would have required too many compromises on what we wanted to accomplish. And we decided on a couple of simple items for camera support (more on camera support later). Net, we figured yes, we could afford the resources we need to shoot the job the way we wanted and stay within budget. One down.

Question 2. Can we control all aspects of the picture making? This is not about control in the sense of being a “control freak” it’s about being able to control the elements that go into each shot. For instance, can we control the light and make the pictures that we and the agency want? Can we shoot at the right time of day with the best light? Can we bring the right production tools to the job, in this case silks and solid fabrics to control light along with camera support equipment and, importantly, the right crew to set ‘em up. The answer was yes and that’s two down.

Question 3. Solutions and compromises or maybe we could better describe this as, the art of cutting corners. The important thing here is that the solutions must be found early and you must involve the interested parties for each solution. Experience informs these choices and is invaluable in solving the production/money puzzle.

For instance, on this project we needed talent but had limited resources for casting, JR Casting helped us find a solution that worked for the job. http://www.jrcasting.net/

Here’s a key item that Greg Winter knew going into the project that influenced decision making and the approach to the project, Greg knew he wanted to move the camera.

We also knew that we had limited resources for equipment. On this shoot the answer was using a doorway dolly with skateboard wheels, lightweight track and a tripod, instead of using a standard dolly. And we used a 3′ camera slider (a linear motion system) so we could avoid the doorway dolly on some shots, saving time. Finally we simultaneously mounted 4 iPhones to the bike for a unique set of POV shots.

Here’s what Greg says about moving the camera, “Moving the camera through time and space is one thing that sets the art of motion pictures apart from other visual art forms”. And, “shooting from a stable camera platform allows for thoughtful composition and the opportunity to express a visual opinion. What is within the frame is then a conscious decision”.

We made decisions, informed by our experience that allowed us to deliver the pictures and tell the story.

If we did our job, you’ll be able to learn from the 2-minute video why the Canopy iPhone case is so unique, cool and why you want one.

And here is a link to the Canopy site so you can go take care of that need and go buy one.
http://www.canopyco.com/

Credits
Agency – Fellow
Art Director – Karl Wolf
Copywriter – Eric Louma
Client – HPM Enterprises/Andrew Kamin
Product – Canopy iPhone cases
Post-Production
Fade to Black – Danny Schmidt editor


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